VMU: Hey guys how are you?
Drew: As good as it can get at the moment...
Jay: You don't really want to know, do you? lol.
Kristine: bored as usual.
Randy: Good.
VMU: Where are you from and who is the current line up?
Drew: Riverdale, we have Archie, Jughead, Reggie, Betty and Veronica...errr..opps, Riverside....Jay, Kristine, Drew, and Randy
Randy: All of us are from California: Jay - Corona, Kristine- San Bernaghetto (dino), Drew - Riverside, Randy - Orange
VMU: How many releases have you put out and who produced?
Drew: I took Part in a Menudo cover band and we released a few albums, which went straight to number one in Japan.
Randy: 3 Releases as Darvoset, 1 with this lineup. Recorded at Lovejuice labs - Metal Dan produced and engineered it.
Jay: We still can't get Drew out of those old Menudo costumes! He loves them. lol. As "Darvoset" the rock band with guitars and drums, we released 2 six song EP's. This CD Forbidden is the first CD as an electronic band, and it's what we are about right now.
VMU: Were the recordings done digital or analog? ( if comps, what programs?)
Jay: It was done digital, but run through processors to make it sound analog. I'm not sure what programs were used, I'm totally lame when it comes to the technological side of music. All I know is playing. I know they used more than one, and I know Pro Tools was definitely used, maybe Cakewalk and a few others. Metal Dan is used to working with punk and, you guessed it, metal bands, so we were recorded and mixed as if we were a rock band. I think that helped us avoid sounding like your average electronic band. At first, the studio wanted to bring in someone who had "experience" with a band like us, but what exactly is a band like us? We didn't want all the cliche's of club music done over and over again for us. You know, 8 -10 minute songs with octave basslines, obligatory mid range "ddddddddddddd" sequencer part, talk/sung deep vocals all distorted and done with a fake European accent, minimal one note "spooky" string lines behind it all, etc.... So we approached this as if we weren't electronic at all, and really, Darvoset sounds like a rock band simply using synths to play on instead of guitars. There is more of a "song" structure and rock dynamics than most electronic bands. At least that's what we think and what fans have told us! lol.
VMU: How did the band form?
Randy: A Blessing From The Universe! LOL. Jay and I have wanted to do something musically for a long time, but he was always too busy with Darvoset. So when that band was breaking up, he asked me to join. He was tired of compromising after 15 years, and wanted people who weren't musicians in the traditional sense of the word to bring out his music. What I put adds and complements his stuff perfectly. Fills the sound up without cluttering it. Unlike guitars, which would bury his playing.
Kristine: This version formed out of desperation really. A last stab at making music, a last resort. Jay and I have been in bands together for 6 years now. So when the last band we were in, RONG ( Rebels of the Neon God) broke up, we formed Darvoset. Then the players in that band wanted out, so instead of trying to find other musicians, who would want to do things their way anyway, we decided we were gonna do shit by ourselves. We really thought hard and struggled with the idea. We loved the live guitar/bass/drums/synth/vocals sound we used to have, and weren't sure if electronic was the right thing to do. We got Randy and Drew to add effects and provide the beats for us, and it's worked out great. There are no fights now, well except between me and Jay! lol. Everyone is on the same page. With the other guys before, we sometimes weren't even reading the same book! lol.
Jay: Now we wonder why we didn't do this electronic thing along time ago. What started out as a last gasp has turned into the best band we've ever done. And it's re-energized everyone, and relit our fire for music again.
Drew: I'd been around as a friend and a fan for a long time, and I observed the problems they had with conflicting ideas and styles not merging. It had problems, but don't get me wrong: the old Darvoset kicked ass. I was scared when asked to join the band, I didn't want to fuck up such a great thing. But now, after this recording, I see that my ideas are right there with Jay's, and we almost think the same on everything. I think being a fan of music, and knowing what should go and what shouldn't go in a song based on instinct, is just as important as being able to play an instrument. If not more important. It's all about taste. In the past, Jay would have a dark diminished key song, and one of the guys in the band would play upbeat, fun loving good time funky bass on it! It just didn't suit the mood of that particular song. It was frustrating to see and hear that, knowing the song didn't reach it's full potential, even though it was good still.
VMU: Do you prefer live or studio recording?
Drew: Tough question, but I love studio recording, the birth of each song is great to experience. As for live, nothing beats the adrenaline rush you get.
Kristine: The energy you get from a live show is so incredible. Nothing compares to it. The energy coming from the band, the audience, it's impossible to recreate that power in the studio.
Randy: Studio
Jay: I like both, and for totally different reasons. Recording is boring, and takes forever. But you can do so much with layering and overdubs that you can't live. Recording is the creative part. Building the songs up from nothing is exciting. You get as many takes as needed to get it right, whereas live you get one chance to not fuck up. The finished product though, after it's finally mixed and mastered, is the best feeling in the world. There is a sense of accomplishment, and closure. One thing about live that is better is you get an instant reaction to your songs. An audience tells you if they like it or not with the level of their applause. In the studio, you have no idea if what you've created has any appeal, so it's a big question mark. You have to wait for people to hear your CD before you know the response. In the studio, everything is so contained, like tamed. Almost too perfect. Live everything is bombastic, and loud. Powerful, like the others said. It's totally spontaneous and unpredictable and mistakes occur, which makes it even better when you don't make any. All hell breaks loose live. Shows are instant gratification.
VMU: How's the local music scene in your home town?
Drew: Umm...pretty dead, the whole scene in general, at least in an electronic scene, it's a wasteland of punk bands.
Kristine: Predictable, everyone sounds the same and really there aren't many if any bands we can play with that would mix with our style. We haven't found the local sound to our liking.
Randy: It needs immediate improvement.
Jay: If you're a punk band, or whatever is the dominating movement in your city, I'm sure it's great. But what we do is so unpopular it sucks. This question is like asking if you can see the Sun from Earth. It depends on where you're standing and what timezone you're in. For most traditional, standard bands, the scene is great, the sun is up. For us, it sucks, the Sun is down.
VMU: What do you express in your lyrics?
Drew: So far, I've written the lyrics to one song we used. In Velvet Skies, I drew out all the anger, hurt, pain, sadness and all that fun redemption that I experienced in a certain part of my life.
Randy: Pain-Anger-Sex-Truth-Death
Kristine: Other than Velvet Skies, I write all the lyrics myself. I like to sing about the rainforests and it's depletion.... No just kidding! lol. I leave that to Bono. I don't know, anything and nothing at the same time. Life. And it's sometimes exciting, and sometimes boring. Sex comes up alot , oh that didn't sound good! lol. "Stitches" is about an abused person thinking about suicide, and "Monkey's Paw" ( an older Darvoset tune) is about Robert Downey Jr.'s drug addiction. "Bliss" is about serial killers, and "Hold On" was a plea to Jay to not quit the band! lol. We have a new one called "Calling" that's about people who pray, and wondering if anyone ever listens, if God is listening. We don't try to give anyone answers, but we ask alot of questions in our music.
"I have never understood why people listen to musicians for opinions on things they know nothing about anyway." - Jay
VMU: How do you feel about other artists expressing their beliefs in music? (Religious or political)
Drew: Some artists inject a little bit of it here and there, others make their entire careers out of it. I prefer injecting. Gives you room to breathe and dont get pigeonholed much.
Randy: Opinions are like Assholes! Everyone's got one!
Jay: And everyone thinks their's smells better! lol. Ummm, I think they're more then free to do so, and if they want to, fine. I just wish more wouldn't. As long as the music isn't suffering and is the first priority, whatever. If a "message" gets to be more important than good songs, fuck it. Alot of bands forget their main job is to write songs, not preach. If Darvoset has a cause or charity we want to give to, we will on our own time, we don't need to put it in our music. Some artists hold a press conference to announce they are giving, or tell fans who to vote for, and I think that's so self serving. They just want to draw attention to themselves, and look like a good guy. Just give, no one has to know.
Kristine: If you have an agenda beyond wanting to make music, get out of music. Not that you can't have an opinion on things, but if music is somehow seen as not enough, almost superficial to you, and you need to have a stance to seem more mature or serious, then maybe music isn't for you. Music, the love for it, and the ability to create it, is more than enough reason to be in the industry, you don't have to have a higher calling or anything. We want to make songs for a living, not change the world or sew up the hole in the ozone layer. It cracks me up that bands even think they can fix problems. Punk bands have been singing about the government for decades, and they haven't changed shit. We need to celebrate the real heroes, the protest picket fence activists trying to change unfair laws and voters. Parents who are there for their kids and go to shitty jobs they hate everyday, not selfish fucking bands partying and getting laid.
Drew: Yeah you're so outraged by the way things are, but what did you do? Help the homeless build a house? Make a contribution instead of going to Vegas? Walk an MS race for a cure? Take in a foster kid? Sponsor a sick child in Africa? Join the military? Become a lawyer? Become a senator? No, you got a mohawk and YOU FORMED A BAND! How selfless.
Jay: Some artists use music as a tool for their politics, the politics are what matters to them. They would use anything to get their message out, music just happens to be what they chose as the method. Like music is a newspaper, and their views are the ad. I hate that shit. It's like dating a chick for her money, using her. I don't respect people who shit on music like that, who see it as a means to a bigger end. If you're a politician, go into politics. I have never understood why people listen to musicians for opinions on things they know nothing about anyway. I mean, if I want my pipes fixed, I call a plumber, not a musician. If I want to know about cars, I'll ask a mechanic. If I want to know about child molestation, I'll ask a Priest. LOL. If I want to know how the Democrats think, I'll ask a Democrat rep. If I want to know about music, I'll ask a musician. I want musicians to fucking rock, and entertain me, make me forget shit for the 2 hours I'm at a show. I know the world sucks, I don't need bands to remind me of it. Everybody is aware of different religions out there, if we're interested, we'll seek it out, you don't need to constantly talk about it. So you're a Christian, so you're a Wiccan, so you're a Buddhist. And? Play the damn song. Why look to rock stars to form your views? What the fuck do they know? You might as well ask the dude taking your order at the Taco Bell drive thru window what he thinks of Iraq, he's just as qualified. These rock bands would be asking you if you want fries with that burger if they didn't get lucky and score a deal anyway, so what qualifies them to speak knowledgeably about anything? The only difference between a fool and a famous fool is a mic and an ego. Having said all this, speak up all you want in your music. But no one has to listen, and probably won't.
Randy: Some things should be left private. Like pooping and religious views.
Drew: But Jay, you just gave your opinion about opinions, why are you qualified to do so? lol.
Jay: You're right, don't listen to me. Make up your own mind about messages in music. lol. Ask us about chords and bands we like, our haircuts, and our clothes, not how to solve the Nations social security problems. The guys on CNN are better than us on that shit. But I doubt they know what a Dmsus5add9/A chord is.
Kristine: Just cuz we don't announce our views doesn't mean we don't have any, we do think about "important" things beyond nightlife. Darvoset isn't looking to convert anyone to anything except Darvosetism.
VMU: Could you explain in detail the gear you use?
Drew: I would, but then I'd have to put the hurt on ya! lol, But seriously, don't really wanna give too many of our secret weapons away, lets just call it 'The Cricket' (Rhythm Synthesizer), like in Men in Black, where it lacks in Size, it makes up for it in the wallop of beats.
Jay: That Cricket is top secret, not many other bands are using it. We like to find unpopular or lesser known things, and see what they can do. Some of the rhythm machines we use are more hip hop/rapR&B based, and Industrial/EBM/synth pop bands wouldn't touch them. You can make them really cool by slowing them down or speeding them up drastically, adding things in and taking things out. The fact that they don't appeal to other bands like us works to our advantage. If you all use the same equipment, how is anyone gonna sound any different from each other? This is a real problem in electronic music to begin with, so we do what we can to avoid that, sometimes successfully, other times not. I use Various synths. My favorite is the Roland Juno106. It has fat ass sounds, and is from outer space. The Yamaha DJX is all over our CD too. The Roland D10 is a good vintage synth, I used that combined with a Kurtzweil K2000 sound module. I used another Yamaha board, but I don't know the model. It has awesome sounds, the church bells on "Want It" are from this synth. Then there's my secret weapon, the "silver synth". It's a no name brand, and it compares to the Korg Triton. In fact, it has all the same sounds as the Triton, except it's not a full workstation and cost thousands less. I'm not gonna tell you where I got it, you wouldn't believe me anyway. I don't need a synth that can suck my dick or wash my car for me, be a full one man band. I play everything live anyway. I'm all about sounds, I will use anything from a $3,000 board to a cheap ass $40 one if it suits the needs of the song. I run it all through a Roland KC500 amp. In fact, we all have a KC500. You have to look around for good deals on gear, you don't have to go into debt for life to make good music. If you can't make a great song on cheaper gear, you probably suck.
Kristine: SURE mic. Paper pad for lyrics, pen to write it down with. Dat's it.
Randy: Currently, a Roland JP8000 and a Roland MC 307. Always adding more though.
VMU: Who are your musical influences?
Drew: The Beatles, Depeche Mode, Duran Duran, U2, Luscious Jackson, VAST, Snake River Conspiracy, when it comes to beats, my influences vary, from industrial, break-dance, hip hop,
Randy:
Nine Inch Nails, Skinny Puppy, VNV Nation, Death Angel, Icon Of
Coil, Assemblage 23, Slayer
Kristine: Siouxsie, Annie Lennox, Simon LeBon, Cyndi Lauper, Marlene Dietrich, Sade, Stevie Nicks, Terri Nunn, Dale Bozzio, Morrissey, Tobey Torres, too many more to name right now.
Jay: The Muppets, Emmit Otter's Jug Band, Riverbottom Nightmare Band, Cheech and Chong, The Pokemon theme, Power Rangers theme, The Star Trek theme, Conan the Barbarian soundtrack, Nickelodeon shows, all boy bands, Village People, Milli Vanilli, those assholes who did the "Macarena", Right Said Fred, Horror soundtracks, and the Star Wars Cantina scene band. Everything has influenced me, either to play like them or NOT to play like them. Even shit you hate can be an influence to go the other way. I've been influenced not to do certain drugs based on seeing some friends on it, and how they act. I never want to make music like Dave Mathews Band, so thanks to them for showing me exactly how music shouldn't be done! lol. They are a great influence on this band.
VMU: Any tours in the works?
Drew: Nope, but we're well overdo for one, bring on the debauchery!
Randy: Hopefully!
Jay: We're gonna open for the local Puppet show.
Kristine: When we can afford to, we will tour. For now, it's basically Cali shows. Maybe Vegas and TJ, but that's as far as we go for now.
VMU: I really enjoyed the performance in Riverside Ca! Have you guys opened for any major acts?
Drew: And thank you for coming! Krush Radio and yourself have really gone out of your way for us, we appreciate it!
Jay: Yep. Orgy, 30 Seconds to Mars, Flock of Seagulls ( many times) Berlin ( many times) Bow Wow Wow, The Church, Missing Persons, Human Drama, The Troys, The Fixx, Dead or Alive, etc... I can't remember everyone.
"The Mainstream in the USA needs to be taken back by the Indie scene!" - Randy
VMU: How did you do the recording process live or 1 on 1?
Drew: Both. We played live, then fixed any mistakes after. Kristine sang a scratch guide track for us. Then we did the instrumental overdubs. Kristine did her finalized vocals last. If things were still off, we cut and pasted it in the mixing and mastering.
VMU: How do you feel about the mainstream music scene? ( USA and overseas )
Drew: Well, if I say I like the mainstream, then I'm an idiot, right?
Jay: You're an idiot anyway, but if you say you like the mainstream, well then you're a liar too!
Kristine: Hahahaa! You been watching The Breakfast Club again!
Jay: Good lord, we're soooooo 80's! lol.
Randy: I knew I
recognized that line. Hmmm, well, I feel sorry for our type
of Music in America. We would have a better scene in Europe! The Mainstream in
the USA needs to be taken back by the Indie scene! We will overcome!
Drew: I stopped caring about mainstream music back in the early 90's. There may be a band that will break thru the mainstream, or a song or two that will break thru that I enjoy, but, it's a rarity. Oh man, we could talk about this subject all day.
Jay: Well, I live here in America, so all I know about is our mainstream scene. Oh, it's great! How could you not like it? Britney, Justin, Puff Daddy, Hillary Duff, Lindsey Lohan! They are such innovative geniuses. lol. And you just know the artist is in control these days, you don't get the sense that producers and record companies are calling all the shots, now do you? (Sarcasm). Having said that, things do look to maybe be getting slightly better, with the Killers, Franz Ferdinand, and all the other 80's influenced bands emerging on the charts. At least they are real bands, writing their own danceable songs and aren't playing Rap/Rock tough guy - pissed off -unloved by mommy -middleclass white boy- cockrock bullshit. These kinda bands remembered the rock, but forgot the roll- the dance element to rock and roll. What is the point of guys just beating the shit out of each other all the time to music? I want contact with a girl through music and dancing is what has been missing from mainstream rock for awhile now. Sexy music makes you want to fuck or dance, and alot of mainstream music is not sexy.
Randy: Every genre produces some good bands and some shitty ones, and rap/rock is no different, not all of them are pure crap. Grunge, or a watered down form of it late 90's, killed any and all experimentation in rock music, and it's good to see bands adding synths and more obvious production to their sound again. The mainstream rock like MatchBox 20 and Nickelback is just as controlled by the companies as the teen pop crap. It acts like it's all "real" and raw, but it's slick, and has so much production sheen on it. That's fine, but be honest about it. Every song they write is trying so hard to become a hit single, where is the art? Mainstream music all sounds the same, and there is a formula to it, it's contrived. No feeling in it. No one is saying anything real or what's on real people's minds. When the industry decides a sound, a style, has had it's time and needs to go away, they will stop signing bands like that. Then they will decide the next type of bands to sign, they are totally in control of what the public gets. Manipulating us and our wallets. Look at the rap/rock thing, record companies decided to have music go the Strokes and Hot Hot Heat way now, so they closed the door on the Korns of the world. 2 years ago, the best thing you could do was to sound like Limp Bizkit. Now, that sound is death on the charts, it's all about the Killers. Where did the fans all go? They moved onto the next hot thing, told to them by the record companies. Alternative stations are barely recognizable every 5 years. And everyone just follows it, and says, "yes, thank you, I'll take it, may I have more?" And if you don't like what's being offered, you're made to feel like an outsider, cynical, a weirdo, "out of touch". The genius of it all is they make the public think and believe that they are the ones in control, and dictating what they want. Bunch of sheep. Sorry.
Kristine: Everything in modern music is overproduced, the difference is the new wave bands, dance acts, and rappers are not trying to hide it, they're honest about it. They let you see and hear the expensive production. What is the point in getting a major label record deal if your goal is to sound as cheap, shitty, ghetto, and "raw" as possible? Stay what you say you are, independent, if you want to sound like the streets. If you want to sound like Nirvanna, you can do that without a record deal. The motivation for these people has to be the money, not the ability to make records sound high tech, coz they don't need alot of money to achieve a bare bones sound. People who are street and want to stay street do not sign million dollar recording contracts, the minute you do that, you're corporate. There's nothing wrong with that, but trying to still say you're down with normal people when you're now a millionaire is ridiculous, and these rock bands sell that message all the time to the kids. "We're you, we're the same." No, you're not, the fans don't travel the world, stay in 5 star hotels, wreck cars left and right, have their every need attended to, do television, radio, have personal trainers, etc.... it's so show biz. Just admit you are show biz, don't tell me you're still the same as when you weren't famous. Bullshit.
Drew: The funny thing is how much time, money, effort, and production actually goes into all those supposedly "raw" recordings. Ask any producer/engineer and they will laugh as they tell you. To get a 'dry' sound, you have to use so many gadgets, that the term bare or dry means nothing. Nothing is raw it's all totally effected. Then they layer a single guitar part like 30 times, to beef it up and sound "real" lol. How real is it to play guitar 30 times? Let me see you do that live. It takes $$millions to sound like you paid $$hundreds, and to me that's just assinine. It's a fucking joke. Our goal was to pay $$ hundreds, and have it sound like it cost much more, not the opposite! lol.
Kristine: If Darvoset is offered the fame and money, we'll take it too, but the difference will be you won't hear us whining about it, and trying to tell you we're still "normal". Or how much fame sucks and we didn't want it crap. Still, I look for good songs in music, and even though the songs on radio might have been dictated by others outside their band, I still enjoy some now and then. But like Drew said, it's a rarity. I think the best music comes from unsigned bands, coz they have nothing to lose and no pressure to sell big, so it's more pure. No "handlers" getting in the way, it's all them. 99% of bands never do anything better than their first album. It still was heart felt at that time, success brings leeches and greedy agendas.
Jay: I don't blame these bands for cashing in though. I've got a wife and kids, there's more to my agenda than simply love of music. That's number one, but it would be nice to make some big money, and set them up for life, you know? I hate these bands that get that, and cry about it. "We never wanted all this, we're not real anymore!" Shut the fuck up! Would you rather be back at McDonald's, cuz that's where your dumb uneducated ass would be if you didn't make it. We want as many people as possible to hear us and like us, no one makes music to be ignored and hated on purpose. See, I said it, I'm upfront about it. Yes, Darvoset would love to be world known, and make some good cash. But we're not gonna sound like John Mayer to do it. I don't think that's selling out if you make the music you love and it brings you fame and fortune. That's called luck, and a dream come true. A good thing the last time I checked.
VMU: Any deals in the works?
Drew: Nope. At the moment we are completely independent, and enjoying it. You get all the acclaim, and all the blame. We can't say the producer sucked, and blame a shitty song on anyone else. Likewise, no one outside the band can take credit for a good song we do as well.
Randy: Well, you know, there is always something going on behind the scenes.
Jay: Not any deals that we're prepared to commit to at least. We have to have it our way, like Burger King, yo.
Kristine: You offering? lol.
VMU: New recordings in the works?
Drew: Yep, and we cant wait to get back in the studio! The ideas are flowing, the vibe of the new songs are fantastic. Cant wait to unveil them! We're adding 6 new songs to the CD Forbidden. We're gonna take out some of the weaker ones currently on it, and put these new ones in. We think they're even better then what we did before. It's supposed to be done by mid May, but knowing us and how slow we are, who knows when it will be out.
VMU: Any advise to other indie bands?
Drew: You're not alone in your struggles, keep your head up and don't tweak your musical 'vision' for no one.
Randy: Don't give up! Fight till the end!
Kristine: Try your hardest to be unique. Add styles that shouldn't go together. Cross breed genres. Too many bands all look and sound the same.
Jay: Who the fuck am I to give advice? Well, since I was asked....lol. Try to look excited and into it when you play live. Until you reach Robert Smith of the Cure iconic legendary status ( he can show up and just stand there, he's earned it and fans go nuts), your mere presence is not enough to entertain. Too many bands just show up, and stand there. BORING. Work for it, if you aren't enthusiastic about your music, why should anyone watching you be? I'm not saying you should be like Michael Jackson and Moonwalk across the stage or anything. Or have fucking choreographed Backstreet Boys dance moves. lol. Even if you just bob your head, and acknowledge the others in your band with some eye contact, don't stare at the floor all night. That isn't cool, it's lazy. People want to see you have a pulse. I hate dull entertainers, and when you go onstage you aren't just a musician, you're a performer, an entertainer. So PERFORM, give us a show to go home and talk about to people the next day. Otherwise, people may as well enjoy your music from home on your CDs. Give people a reason to want to see you live. If you really think people should PAY hard earned $$$$ to see you, you'll put some effort in.
Another thing: DON'T pay to play. It's a rip off, they don't give a shit about you and your music, all they care about is ticket sales and the money made from them. If you can guarantee 200- 500 people to a pay to play club, you could literally make your penis talk for half an hour, ( which is all you get time wise ) and they could care less. As long as they got their money, you don't count. They don't care if you're in tune, if you got a sound check, if you got all your time to play, if the other bands fit in with your style, etc....Most places don't even ask for demo tapes anymore, they just ask "How big is your following"? Red flag right there. They keep all the money, you get to play to your friends, big fucking deal. Play your backyard kegger, charge $5 a head, and KEEP THE MONEY YOURSELVES! Don't be impressed that some former "hotspot" from the 70's wants you to play. It's all has -beens holding on to memories of when some overdosed rock stars you've never heard of or care about used to play there. A hole is a hole, no matter who pissed in the toilets once upon a time. This policy won't stop until young bands stop being starstruck at the 'legendary" venues and going along with it.
VMU: Do any of you own a home studio? ( what gear)
Randy: Not yet, we'll have one soon!
VMU: Why do you do what you do in music?
Drew: Because I wanna achieve and taste greatness!
Randy: It is the thing I do and is my passion! I will till I die!
Jay: Because music comes natural for me. Anything in life that takes effort, I don't bother with. lol. I do what comes out of my hands, I just plug in and play, I don't even think about it. What I do never changes, it's what I surround myself with that makes my bands sound different from each other, meaning players, instrumentation, attitudes, etc.... Oh, and also, they rejected me as a porn star, so...... lol.
Kristine: Cuz who wants to work all their life at a job they hate till they die? Music is an escape from mundane reality. Oh, and to impress my family. RIGHT! lol. Like they give a shit about what I do.
VMU: Thank you so much for your time!! Any last words?
Drew: Angelina Jolie, prepare to be mine!
Randy: This is Ran D from the OC!
Jay: I would if I could, but I can't, so I won't. Oh, and Who's da MASTER? Kiss my Converse. ( If you know what movie this is from, you're too cool for school )
Kristine: Same Bat time, same Bat channel.
http://www.myspace.com/darvoset
VM UNDERGROUND
APRIL 14 2005